Sortie le 4 mai 2018 en CD/LP/DL
Les Danois sortiront leur quatrième album Beyondless le 4 mai sur Matador. Beyondless voit enfin Iceage à la hauteur de leurs ambitions, tout en conservant le caractère punk des débuts de la formation. Dès New Brigade (2011), brûlot juvénile post-punk au furieux You’re Nothing (2013) et ses influences hardcore ressenties tout autant chez Plowing Into The Field of Love (2014), le charme frondeur du quatuor faisait mouche. Gonflé d’une confiance totale absolue en eux, le groupe est au sommet de sa puissance sur ce quatrième album.
Richard Hell, figure incontournable de la scène punk new-yorkaise, se livre à une analyse passionnante de cet album :
THE NEW ICEAGE by Richard Hell
I can totally imagine myself as a kid lying in my closed-door room in the dark, listening to this band and getting what I need, the way a band can make a person feel seen and bring confidence, sometimes even represent an ideal. Or maybe I’m already all defiant and self-certain, and I identify with Iceage because they are too, and they’re who I want to represent me in music. It’s a weird combination of qualities that a rock and roll band and their recordings presents to their young crowd, imparts to them. The music being pure emotion, the strong emotions of youth—anger, sadness, contempt, longing—as well as energy and sex, and the band’s demonstration that it gracefully owns and provides those things, consoling their followers in all the confusion.
What is it that Iceage in particular brings? A large number of extraordinary things. (Poetry! But more about that later.) The band members were childhood friends, which is always good news. They’re like a small urban gang, faithful to each other, suspicious of outsiders (of which music journalists like me are the most suspect examples). At the same time, they seem mature and competent, which is almost too much to hope for. They not only play and compose well, but the production of their records, from the very beginning, and at the music’s most chaotic, is impeccable. Their presentation is as hardcore anarchic as any, but much better played, mixed, and recorded than most.
And then there’s the poetry and the intelligence. The members of Iceage are not only smart but hyper literate. Interviews with E. Rønnenfelt, the lead singer and lyricist of the band, find him mentioning Carson McCullers, The Heart Is a Lonely Hunter; Georges Bataille, Story of the Eye; Peter Shaffer’s Equus; Mishima, The Sailor Who Fell from Grace with the Sea; Genet’s Thief’s Journal and Miracle of the Rose; The Torture Garden by Octave Mirbeau; Henry Miller on Writing; and James Agee’s A Death in the Family, and that’s in a total of four interviews. It’s not that he flaunts it; he’s simply honest and naturally acknowledges it.
The lyrics of Iceage songs have the most sophisticated vocabulary I can remember finding in rock music. Here’s a favorite example, from “Pain Killer” (ft Sky Ferreira) on the new album:
Praying at the altar of your legs and feet
Your saliva is a drug so bittersweet
I’ll arrogate what’s there to take
In an evanescent embrace
…“Arrogate”??? I half know the word, but I had to look it up to be certain. It means “to claim or seize without justification.” It’s funny because its Latin root also underlies the word “arrogant,” which one might be tempted to apply to Rønnenfelt for the contempt he shows for people who try to understand him. But I sympathize. It is extremely annoying to be characterized by other people. And the shading of meaning of the word “arrogate” brings a subtlety to those lyrics of his that “take” or “seize” or “claim” wouldn’t. Frankly, though, what I really like about those lines is the concept of praying to his lover’s feet. That’s good. It makes me think of a similar instance in another poet, Charles Baudelaire, who wrote in his “Hymn to Beauty”:
Who cares if you come from paradise or hell,
appalling Beauty, artless and monstrous scourge,
if only your eyes, your smile or your foot reveal
the infinite I love and have never known?
- Nervous Mary
- Wait in the Car
- All Nerve
- Walking with the Killer
- Howl at the Summit
- Archangel’s Thunderbird
- Dawn: Making an Effort
- Skinhead #2
- Blues at the Acropolis